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AUTHOR |
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PUBLISHER |
PRICE |
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ADELAIDE. |
AUSTRALIAN
WOMEN WRITERS. |
Pandora |
£3.95 |
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Debra, |
A
bibliographical guide. Outlining the works of over 450 women.
This
invaluable sourcebook outlines the lives and works of over 450 Australian
women writers, and puts rare manuscript collections on the literary map
for the first time. It brings to light novelist, short story writers,
poets, playwrights, autobiographers, biographers, and non-fiction writers
from the earliest days of white settlement to the present.
It
provides biographical information as well as comprehensive bibliographical
details: complete listings of the authors' publications, biographical
studies, the most recent and influential critical surveys of their work
and manuscript locations. |
Fair
/ Good
1988
Heavy
£2 P&P (UK)
ISBN:
0-86358-149-8 |
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ANDERSON,
FULLER, SMITH & WILKINSON Eds), |
WRITING
WOMEN. |
Running
Deer Press |
£2.95 |
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Linda,
Cynthia, Penny & Margaret, |
A
periodical for creative expressions in writing by women. Volume 9 No
1.
Writing
For Our Lives - A magazine which serves as a vessel for poems, short
fiction, stories, letters, autobiographies, and journal excerpts from
the life stories, experiences, and spiritua journeys of women.
Includes
contributions from: Penelope Shuttle, Dorothy Nimmo, Fiona Cooper, Selima
Hill, Jenny Vuglar, Monica tracey, Patricia Pogson, Nadine Brummer,
Liz Minnikin, Olivia Macmahon, Lisa Williams, Margaret Portch, Veronica
Lloyd, Eleanor Cooke, Judith Kellgren, Carole Morin and Joanne Merrison.
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BASSNETT. |
KNIVES
& ANGELS. |
Zed |
£4.50 |
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Susan
Ed), |
Women
Writers in Latin America.
This
book offers insight into a range of major Latin American Women writers
whose works are only just beginning to be known by English-soeaking readers.
The
majority of Latin American writers now well-known to the English-speaking
world are men; this collection of essays from a wide range of nationalities,
aims to redress the balance by instead focusing on women's writing.
Included
are chapters on the impact of critics such as Victoria Ocampo, who changed
the face of the Latin American literary scene; on Chilean playwrights,
Nicaraguan revolutionary poets, Columbian women's writing; interviews
with the novelist Margo Glantz, and with the film director Maria Luisa
Bemberg.
Also
featured are studies of such novelists as the starkly realist Elena Poniatowska,
and the lyrically surrealist Maria Luisa Bombal; and an essay on Clarice
Lispector by her official English language translator. |
Fair
/ Good
1990
ISBN:
0-86232-875-6 |
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BATTERSBY. |
GENDER
AND GENIUS |
The
Women's Press |
£4.50 |
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Christine, |
Towards
a Feminist Aesthetics.
In
this exciting and groundbreaking book, Christine Battersby traces the
idea of genius, revealing why this precious attribute has always been
an exclusively male preserve.
She
shows how pagan myths associated divinity with male procreativity, and
how these ideas continue to bar women from the potential for creative
genius today. |
Mint
/ New
1994
ISBN:
0-7043-4300-2 |
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BEAUMAN. |
A
VERY GREAT PROFESSION |
Virago |
£3.25 |
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Nicola, |
The
Woman's Novel 1914 - 1939.
In
this book Nicola Beauman looks at women like Katherine, or like Laura,
the heroine of 'Brief Encounter', women whose circumstances are generally
ignored by social historians, but whose lives and habits are wonderfully
recorded in the fiction of the time.
Drawing
on the novels to illuminate themes as varied as domestic life, romantic
love, sex psychoanalysis, war and 'surplus' women, Nicola Beauman uses
the work of such diverse women novelists as May Sinclair and Elinor Glyn,
Rebecca West and E. M Delafield, Rosamond Lehmann and Mary Borden - and
many, many more - to present a fascinating portrait, through their fiction,
of middle-class Englishwomen in the period between the wars.
Literature
/ Social History |
Poor
/ Fair
1983
ISBN:
0-86068-309-5 |
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BERNIKOW. |
THE
WORLD SPLIT OPEN |
Women's
Press |
£3.50 |
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Louise
Ed, |
Four
Centuries of Women Poets in England & America 1552 - 1950.
This
anthology is essential reading for everyone interested in great poetry
and women's perception. It covers four centuries during which - against
every possible coercion to stop - women wrote out their lives into lines
of poetry.
the
poets are black and white, from all economic groups, each pitted against
cultural expectations of what 'womanhood' means. Many are found nowhere
else: 'Here they stand in a procession that says extraordinary things
to us',
Louise
Bernikow honours the poets she has selected with ahighly informed, witty
and loving introduction. She enlightens us on their lives, on their work,
on their links; she enlightens us on our history. |
Fair
/ Good
1984
350
pages.
Heavy
£2.50 P&P (UK)
ISBN:
0-7043-3832-7 |
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BORZELLO
& LEDWIDGE. |
WOMEN
ARTISTS: A Graphic Guide |
Camden |
£3.95 |
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Frances
& Natacha, |
Everyone
knows what an artist look like... a man with a velvet bow tie, a smock,
paint-smattered trousers, a palette and - indispensible accessory - a
sexy, nude lady model.
But
what about the women artists? The thousands of women who, in every place
and period of history, can be found painting pictures, modelling clay
or chiping away at stone?
Judy
Chicago, Barbara Hepworth, Berthe Morisot, Rosa Bonheur, Angelika Kauffman,
Artemisia Gentileschi... Artemisia who? And that's the problem. Even the
most brilliant women artists rarely became houshold names, so it seems
as though they never existed. But they did. And in spite of every handicap.
Women
Artists: A Graphic Guide describes those handicaps - from being forbidden
to draw the male nude in life class to harassment whenever they tried
to paint outdoors - and explains how some women managed to overcome them.
Frances
Borzello lectures at the National Gallery, London and written several
books. Natacha Ledwidge's illustrations have appeared in a wide range
of publications. |
Fair
/ Good
1986
ISBN:
0-948491-05-1 |
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BRAXTON
& McLAUGHLIN. |
WILD
WOMEN in the WHIRLWIND |
Serpent's
Tail |
£6.75 |
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Joanne
& Andree Nicola, Eds, |
Afra-American
Culture & the Contemporary Literary Renaissance.
Today
there is great interest in the writings of Toni Morrison, Alice
Walker, Ntozake Shange, Sonia Sanchez, Maya
Angelou, Paule Marshall, Gayl Jones and the writings
of their predecessors - Zora Neale Hurston, Nella Larsen,
Gwendolen Brooks.
Wild
Women in the Whirlwind is the first book to explore the literary and cultural
traditions of these writers and to locate their work within the history
of Black Women - a history rich but neglected which the contributors illuminate
with moving briliance.
Contributors:
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Angela
Y Davis
June
Jordan
Gloria
I Joseph
David
Ames Curtis
Henry
Louis Gates Jr
Robert
J Fehrenbach
Daphne
Duval Harrison
Billie
Jean Young
Regine
Altagrace Latortue
Calvin
Hernton |
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Barbara
Smith
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Joanne
V Gabbin
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Nellie
Y McKay
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Barbara
Omolade
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Vashti
Crutcher Lewis
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Barbara
Christian
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Zala
Chandler
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Rudolph
P Byrd
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Chinosole
-
Gale
P Jackson |
Forward
by Audre Lorde. |
Good
/ V Good
1990
440+
pages
RRP
£12.95
Large
and heavy book £3.50 P&P (UK)
ISBN:
1-85242-180-0 |
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CAHILL. |
WRITING
WOMEN'S LIVES. |
Harper
Collins |
£6.25 |
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Susan,
Ed, |
An
Anthology of Autobiographical narratives by Twentieth Century American
Women Writers.
Representing
fifty distinguished American women writers, this collection of autobiographical
narratives reflects the diverse intersection of race, class, religion,
and sexual identity as they have been experienced in every region of the
United States over the course of the twentieth century.
The
selections showcase the common experiences of women writers as children,
daughters, wives, lovers, mothers, activists, artists, travellers, and
intellectuals; together they form a moving cultural history of the United
States from a female perspective.
Among
the different voices of these accomplished prose stylists, one hears a
common note of humour and irreverence, and the ring of conviction and
confidence that comes from a well-forged identity.
Featuring:
| Jane
Addams
Edith
WHarton
Charlotte
Perkins Gilman
Ellen
Glasgow
Mary
Antin
Florida
Scott-Maxwell
Louise
Bogan
Dorodthy
day
Zora
Neale Hurston
M F
K Fisher
Eudora
Welty
Hortense
Calisher
Kate
Simon
Lillian
Hellman
Tillie
Olsen
May
Sarton
Mary
McCarthy |
Madeleine
L'Engle
Mary
Lee Settle
Eileen
Simpson
Denise
Levertov
Ann
Cornelisen
Maureen
Howard
Maya
Angelou
Mary
Mebane
Shirley
Abbott
Barbara
Grizzuti Harrison
Vivian
Gornick
Audre
Lorde
Kate
Millett
Joyce
Johnson
Joan
Didion
Jane
O'Reilly
Lucille
Clifton |
Bebe
Moore Campbell
Annie
Dillard
Mary
Crow Dog
DIane
Glancy
Nancy
Mairs
Bell
Hooks
Niki
Giovanni
Patricia
Hampl
Natalie
Kusz
Beverly
Donofrio
Maxine
Hong Kingston
Jeanne
Wakatsuki Houston
Jamaica
Kincaid
Sandra
Cisneros
Dorothy
Allison
Lorene
Cary |
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Fair
/ Good
1994
500
pages
£3
P&P (UK)
ISBN:
0-06-096998-9 |
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CARTER. |
THE
MAGIC TOYSHOP. |
Virago |
£3.50 |
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Angela, |
Literature
Study book - The Student's Virago Series.
The
Student's Virago series aims to help put more work by and about women
in the English curriculum. The series offers:
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Suitable
titles chosen from the extensive Virago lists
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Introductions
to the books that put writers and their work in context
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A
wide variety of follow-on activities to support the reading of the
books
Angela
Carter has established a reputation as a writer of intense and extraordinary
tales for adults. the Magic Toyshop, with its focus on fifteen-year-old
Melanie and quest for love, is also accesible to young adults.
With
its startlingly original style, the novel invites readers to extend their
understanding of the nature and boundaries of love. |
Fair
1988
ISBN:
0-09-182348-X |
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CHAMBERLAIN. |
WRITING
LIVES. |
Virago |
£2.95 |
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Mary
Ed), |
Conversations
between Women Writers.
Collection
bringing together the older generation of Virago's writers with
their younger successors, who interview them, creating a wide-ranging
picture of 20th-century women's writing.
Novelists,
journalists, poets and historians recall their childhoods and early years,
and tell how the challenges and demands of everyday life interacted with
their literary endeavour.
Their
creativity is not confined to writing, but spills over into the essence
of their lives, into personal relationships, family life and politics.
The
voices in this book evoke a variety of cultures, classes and backgrounds
and include such writers as Maya Angelou, Kathleen Dayus, Dorothy Hewett,
Molly Keane, Rosamond Lehmann, Paule Marshall, Naomi Mitchison, Grace
Paley, Mary Stott and Eudora Welty talking of why and when,
how and where they wrote.
Representing
not only the range of writers published by Virago, but the tremendous
variety of women's writing in this century, these memories fascinate
and enlighten us in what they tell of the process of creativity. They
make a valuable testament, since for some of these authors - including
Phyllis Shand and Dora Russell - the interviews in this
book are their last recorded statements on their life and work.
(Art
& Literature/Biographies/Short Stories) |
Poor
/ Fair
1988
£1.75
P&P (UK)
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CLARK. |
FEMININE
BEAUTY |
Weidenfeld
& Nicolson |
£10.00 |
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Kenneth, |
Illustrated
essay about "Female beauty" through different cultures.
From
Nefertiti to Virginia Woolf. A4 Size.
135 Monochrome
Illustrations and 40 Colour plates. |
V
Good / Mint
1980
Hardback
£3
P&P (UK) |
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COLLINS
& LINDNER. |
WRITING
ON THE WALL |
Weidenfeld |
£7.50 |
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Women
Writer's on Women Artists. |
Good
/ V Good
1993
£2
P&P (UK) |
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COMLEY
& SCHOLES. |
HEMINGWAY'S
GENDERS. |
Yale
University |
£3.95 |
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Nancy
R & Robert, |
Rereading
the Hemingway text.
This
witty and intelligent book, the first to focus exclusively on gender in
Hemingway's writing, presentsa new view of the author, demonstrating that
issues of gender and sexuality are more complex and subtle in his work
than has ever been imagined.
Nancy
R Comley and Robert Scholes reread the Hemingway Text - his published
and unpublished writing and what is known about his life - and show that
gender was one of his conscious preoccupations. |
Fair /
Good
1994
ISBN: 0300064640
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CULLEY. |
A
DAY AT ATIME |
Feminist
Press |
£4.75 |
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Margo,
Ed, |
The
Diary Literature of American Women from 1764 to the Present.
Including
the triumphs and tragedies of women of all ages, from diverse classs and
cultures, writing about love, work, travel, war, adventure, politics etc
in their own words to which is added an essay on diary literature and
a biography of many hundreds of published diaries and other items of interest. |
Fair
/ Good
1985
300+
pages
Large
£2.50 P&P (UK)
ISBN:
0-935312-51-X |
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DINESEN. |
REDISCOVERY |
Women's
Press |
£3.50 |
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Betzy,
Ed, |
300
years of Stories by and about Women.
The
22 stories in Rediscovery have been written over a period of 300 years
and are structured around the life-cycle of a woman.
The
first story, 'Clementina', describes the relationship of an unborn child
to her mother. Those which follow are of childhood and adolescence, then
women reaching maturity with varied experiences of maternity, marriage,
sexuality and celibacy. The closing stories give us women in their old
age.
The
stories enable us to rediscover the perception of women writers, past
and present, showing how these women responded to the restrictions and
expolited the opportunities - literary and social - of their age.
The
authors include:
Henry
Handel Richardson, Alix Kates Shulman, Aphra Behn, Janet
Frame, Margaret Oliphant, Sarah Orne Jewett
and many more.
What
they hold in common, in addition to their sex, is an ability to tell a
fine story which highlights specifically female experience: biological
detiny and women's reaction to it, social conditioning, repression and
revolt. |
Fair
/ Good
1981 |
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DOYLE. |
THE
A-Z of NON-SEXIST LANGUAGE. |
Women's
Press |
£3.50 |
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Margaret, |
Definitive
Guide to Non-sexist language.
Bringing
today's vocabulary completely up-to-date, here is a definitive guide to
non-sexist language. This straightforward and easy-to-use handbook offers:
a complete
listing of sexist words and their non-sexist alternatives.
vital
clarification of common-usage words, outlinging fully why some words
are sexist and some are not.
accessible
A-Z format.
full cross
referencing.
unique
and comprehensive, the A-Z of Non-sexist Language is an essential reference
for writers, speakers, editors, teachers and all who care about the
words they use. |
Mint
/ As New
1997
ISBN:
0-7043-4430-0 |
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DUDOVITZ. |
THE
MYTH OF SUPERWOMAN. |
Routledge |
£4.50 |
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Resa
L, |
Women's
bestsellers in France and the United States.
The
book presents a general analysis of women's bestsellers, ranging over
a wide variety of novels, from popular nineteenth-century texts in France
and the United States to novels of today.
Dudovitz
shows how women's bestselling fiction has, over the last two hundred years,
kept pace with the social evolution of contemporary women, culminating
in the myth of superwoman in women's bestsellers of the 1980s.
This
fascinating account of an important aspect of popular culture will be
of great value to students of women's studies and cultural studies, especially
those interested in the myths which structure women's bestselling fiction. |
Fair
/ Good
1990
ISBN:
0-415-03187-7 |
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DuPLESSIS. |
THE
PINK GUITAR. |
Routledge |
£4.95 |
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Rachel
Blau, |
Writing
as Feminist Practice.
DuPlessis
is concerned with the depiction of women and the uses to which culture
has put the female figure; at the same time she asks how a woman artist
can make a place for herself among these gender-intensive representations.
She treats the work of William Carlos Williams and Marcel Duchamp as paradigmatic
of the most innovative of male modernists, finding their tactics compromised
by their gender ideologies, which she explores with nuance.
DuPlessis
turns to a number of modern and contemporary women writers (notaly HD
and Virginia Woolf, as well as Susan Howe and Beverly Dahlen) to explore
the possibilities of finding a language, and a set of cultural stances,
which would rupture the most deeply held assumptions about gender.
The
whole tradition of the writing of poetry and fiction DuPlessis argues,
has colonised female figures, yet women writers have considerable force:
the woman writer is a power in her own work, but an artifact in the tradions
of meaning on which she draws. Making of representation itself a site
of struggle, DuPlessis's own porouls, self-questionaing text presents
itself as an example of the cultural disturbance she evokes. |
Fair
/ Good
1990
ISBN:
0-415-90192-8 |
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EVANS. |
BLACK
WOMEN WRITERS |
Pluto |
£3.75 |
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Mari,
Ed, |
Arguments
and Interviews.
The
international recognition due to US black women writers is now being given.
Alice Walker's winning of the Pulitzer Prize ackowledges what many already
know - that the particular experience of black women gives their writing
a voice of it's own.
The
interviews and arguments in 'Black Women Writers' gives
moving insights into the personal and political world from which that
experience comes.
"I
write because I am a black woman, listening attentively to her talking
people". - Maya Angelou.
Includes:
Toni Cade Bambara, Gwendolyn Brooks, Maya
Angelou, Alice Walker, Alice Childress, Audre
Lorde, Nikki Giovanni, Lucille Clifton, Mari
Evans, Sonia Sanchez, Margaret Walker, Paule
Marshall, Carolyn Rodgers, Gayl Jones,Toni Morrison.
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Fair
/ Good
1985
Heavy
£2.50
P&P (UK) |
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FELSKI. |
BEYOND
FEMINIST AESTETICS. |
Radius |
£5.95 |
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Rita, |
Feminist
Literature and Social Change.
This
book has a dual ficus. First, Rita Felski guives a critical account of
current American and European feminist literary theory. Second, she offers
an analysis of contemporary fiction by genres of the autobiographical
confession and the novel of self-discovery in order to show that this
literature raises questions for feminism that cannot be answered solely
in terms of gender.
The
author argues that the idea of a feminist aesthetic is a non-issue that
feminists have needlessly pursued; she suggests, iin contrast, that it
is impossible to speak of 'masculine' and 'feminine', 'subversive' and
'reactionary' literary forms in isolation from the social conditions of
their production. The value of such works from the standpoint of feminism
can be determined only by an investigation of their social effects in
relation to the interests of women in a particular historical context. |
Good
/ V Good
1989
Large
£2 P&P (UK)
ISBN:
0-09-174098-3 |
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Feminist
Anthology Collective Eds), |
NO
TURNING BACK. |
Women's
Press |
£3.95 |
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Writings
from the Women's Liberation Movement 1975-80
No
Turning Back is a major event, bringing together a broad cross-section
of writings from the women's liberation movement for the first time in
seven years.
The
book contains the work of activists from varying political positions within
the movement and shows the intermingling of practical and theoretical
questions.
Among
topics covered are sex and class, male violence, work, women and the state,
health, culture. |
Fair
/ Good
1981
ISBN:0-7043-387-3-4 |
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FERRIER. |
THE
JANET FRAME READER. |
Women's
Press |
£4.50 |
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Carole
Ed), |
Janet
Frame is without doubt one of the most exceptional writers of our time.
She is the author of ten outstanding novels including 'Owls Do Cry',
'Faces in the Water' and 'Living in the Maniototo: a collection
of poetry': and, of course, her famed three-volume work of autobiograhy
described by Michael Holroyd as 'one of the greatest autobiographies
written this century'.
Now
literary critic Carole Ferrier draws together the many threads of Janet
Frame' brilliant career.
Through
extracts from her fiction, autobiography, poetry and prose, she offers
both a superb showcase of writing and invaluable new insights into this
remarkable writer's work. |
Good
/ V Good
1995
ISBN:
0-7043-4434-3 |
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GADON. |
THE
ONCE & FUTURE GODDESS. |
Thorsons |
£9.50 |
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Elinor
W, |
A
Sweeping Visual Chronicle of the Sacred Female and Her Reemergence in
the Cultural Mythology of Our Time.
A
richly illustrated testament to the reemergence of the Goddess in the
art and in the lives of contemporary women and men.
In
this beautifully illustrated and far-reaching history, Elinor Gadon vividly
weaves words and images to demonstrate the powerful connections between
ancient and contemporary art, between the Goddess of the Ice Age and the
Goddess of today.
This
panoramic view of Goddess imagery extends from the prehistoric Goddess
representations of Catal Huyuk, Malta, Avebury, and Crete, to more patriarchal
images of the Sumerians, Greeks, and Christians, to the wide range of
contemporary artists inspired by the Goddess, including Frida Kahlo,
Mayumi Oda, and Judy Chicago. |
Good
/ V Good
19
Large
/ Heavy
£3.50
P&P (UK)
ISBN:
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GORDIMER. |
THE
ESSENTIAL GESTURE. |
Penguin |
£3.75 |
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Nadine, |
Writing,
Politics and Places.
In
this eloquent and powerful collection of essays, Nadine Gordimer examines
her life and art, the turbulent history of her country, and the ways in
which political struggle is the inescapable subject of the South African
writer.
These
pieces record the shaping of Gordimer's ideas and convictions over the
course of almost thirty years. They also include vivid, insightful travel
pieces that tell of Egypt, the Congo river, and Madagascar, and compelling
portraits of the Communist Afrikaner Bram Fischer and the black writer
Nat Nakasa. |
Good
/ V Good
1989
ISBN:
0-1401-2212-5 |
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GORNICK. |
THE
END OF THE NOVELOF LOVE. |
Virago |
£4.95 |
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Vivian, |
In
this book of new and collected critical essays,
Vivian Gornick examines a century of novels and love-in-the-western-world
in which authors have portrayed romantic love as an emblem of the search
for self-understanding and self-discovery.
However,
today, Gornick argues, love as a literary metaphor is no longer apt -
such has the nature of love and romance and marriage changed. Gornick
traces this progress of realism through the lives and works of celebrated
authors such as Willa Cather, Jean Rhys, Christina Stead, Grace Paley,
Raymond Carver, and others shows us how novels have increasingly questioned
the inevitability of tender romantic love and marriage as the path to
self-knowledge and fulfilment.
Today,
love as metaphor is an act of nostalgia, not of discovery. |
Good
/ V Good
1999
ISBN:
1-86049-646-6 |
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GREEN. |
CHANGING
THE STORY. |
Indiana |
£5.95 |
| |
Gayle, |
Feminist
Fiction and the Tradition.
Changing
the Story argues that the feminist fiction movement of the 1960s - 1980s
was and is as significant a movement as Modernism. Focusingon the fiction
of Doris Lessing, Margaret Drabble, Margaret Atwood, and Margaret Laurence,
Gayle Green finds the beginning of this feminist literary explosion in
the second women's movement.
She
argues that these four authors represent major breakthroughs in terms
of narrative form and social content. |
Fair
/ Good
1991
Large
£2.50 P&P (UK)
ISBN:
0-253-20672-3 |
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GRIFFIN. |
DIFFERENCE
IN VIEW. |
Taylor
& Francis |
£5.95 |
| |
Gabriele
Ed), |
Women
and Modernism.
Difference
in view challenes the definitions and boundaries of 'high' modernism;
its preoccupation with style at the expense of issues such as 'race',
class and gender, and its exclusive focus on predominantly male writers,
poetry and prose fiction.
The
book presents a diversity of cultural production, including discussions
on the work of women who painted and produced theatre work in this period,
and whose work, precisely because it interrogates the boundaries of high
modernism, has been marginalised within it.
The
writings, painting and photography of Leonora Carrington and Susan
Hiller, the theatre of Gertrude Stein and the work of black
women writers of the early twentieth century such as Nella Larsen
are all relevant to and produced in the modernist period. OSme of the
work discussed has recently resurfaced at exhibition and galleries, reclaiming
cultural space.
In
discussing the cultral production of such women, the book investigates
how women, usually constructed as 'other', themselves construct others
in their work. The usual emphasis on the isolated self is undercut in
favour of a 'fluid' self which is celebrated rather than a source of anxiety.
The
essays invite questions about intersexual relationahips during this time,
and point to a feminist aesthetic which constitutes and displays a difference
to conventional conceptualizations of male modernist cultural production. |
Fair
/ Good
1994
ISBN:
0-7484-0135-0 |
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GRIFFIN. |
MADE
FROM THIS EARTH |
Women's
Press |
£3.50 |
| |
Susan, |
Selections
from her writing.
There
are many voices in this book - reflective, analytical, polemic, poetic
- yet all are the voices of a woman attempting to discover, in both personal
and cultural terms, how fragmentation can be replaced by wholeness.
In
this selection from her own writing over the past fifteen years, most
of it never before published in Britain, the distinguished American poet
and feminist Susan Griffin explores the difficulties of eing a woman and
a writer in a society which sets up rigid barriers between mind and body,
politics and art, male and female, nature and culture.
How,
she asks, cam women feel at home in a world where sex is too often equated
with violence, where tenderness is called soft-mindedness, and where 'women
and children come last'? |
Fair
1982
Heavy
£2 P&P (UK) |
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HACKER. |
13TH
MOON : DOUBLE ISUE |
Moon |
£3.00 |
| |
Marilyn
Ed, |
A
Feminist Literary Magazine - 'Working-Class Experience'. Vol
VII - Numbers 1&2.
13th
moon is particularly proud to publish this special double issue on the
working-class experience. Our magazine was originally conceived of and
founded by working-class women; working-class women have always been a
source of our strength and support.
The
working-class in the United States includes people of many traditions,
races, languages and histories; readers will find more than a few, though
necessarily not all, of them represented here.
The
forms our artists chose are as varied as the stories they have to tell,
personal and family history taking their places alongside poetry and fiction,
the written text itself sometimes establishing a dialogue between generations.
We
are fortunate, also, in having two accounts of working-class women's lives
in Brazil, one in the first quarter of the century and one in the present,
both translated especially for this issue of 13th moon. |
Fair
/ Good
1983 |
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HARTLEY. |
MILLIONS
LIKE US. |
Past
Times |
£5.95 |
| |
Jenny, |
British
Women's Fiction of the econd World War.
As
'millions like us' responded to the demands and challenges of the Second
World War, women's fiction too rise to the occasion.
The
dramatic changes in women's lives, the strange gains, inevitable strains
and ineffaceable wounds, found their way into the fiction of the time.
Jenny
Hartley's lively account covers a wide range of women writers, from the
famous - Virginia Woolf, Elizabeth Bowen, Sylvia Townsend Warner, Olivia
Manning - to the lesser known.
With
Millions Like US, Jenny Hartley offers an eloquent and significant contribution
to our knowledge and appreciation of this extraordinary period. |
Fair
/ Good
1997
Large
£2.75 P&P (UK)
ISBN:
1-86049-080-8 |
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HEALY. |
WOMEN. |
Longman |
£3.25 |
| |
Maura, |
A
collection of writings by women about women, with a sequence of photographs.
Includes
Margaret Atwood, Elizabeth Bowen,
Kate Chopin, Janice Elliott,
Toni Morrison, Marge Piercy,
Sheila Rowbotham and Fay Weldon.
(Stories
- Various / Women's Studies - Art & Literature) |
Fair
/ Good
1984 |
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HEILBRUN. |
WRITING
A WOMAN'S LIFE. |
Women's
Press |
£3.95 |
| |
Caroline
G, |
Her
groundbreaking study of women's lives in literature.
There
are an increasing number of biographies and autobiographies of women.
And novels that describe women's lives. But how much do these reflect
the real lives of women, and how much are the authors concerned with having
to show women in a conventional or acceptable light?
For
Carolyn Heilbrun, May Sarton's 'Journal of a Solitude' marked a watershed
in writing about women's lives because it was not a narrative of romantic
love leading to marriage and because it reflectied emotions such as powerful
anger previously eradicated from accounts of women's lives.
With
fascinating insights into the lives of unconventional women such as Virginia
Woolf, Colette, George Sand, George Eliot, Dorodthy L Sayers, Adrienne
Rich and many more Carolyn Heilbrun examines how their stories have been
distorted by assumptions about women and charts the development of writing
about women's lives.
Writing
a woman's life is a landmark in literary criticsim and an exciting read. |
Mint
/ As New
1997
ISBN:
0-7043-4529-3 |
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HENDERSON
& PEARLMAN. |
A
VOICE OF ONE'S OWN |
Houghton |
£3.75 |
| |
Katherine
& Mickey, |
Conversations
with America's Writing Women.
In
this lively and engaging collection of conversational profiles, twenty-eight
powerful vopices reflect on what inspires, directs, infuriates, and sustains
them.
The
writers featured range in age from thirty-two to ninety and represents
a cross section that encompasses differences in race, religion, ethnic
origin, sexual orientation, and lifestyle. In addition to well-known authors,
A Voice of one's own introduces some less familiar writers of growing
prominence whom readers will want to discover on their own.
Loiuse
Erdrich on chronicling family myth
Diane
Johnson on the role of memory in fiction
M
F K Fisher on the difficulty if writing for magazines
Gloria
Naylor on the awakening of her ethnic identity
Amy
Tan on the differences between male and female writers. |
Fair
/ Good
1990
ISBN:
0-395-59972-5 |
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HERMAN
& SPITZ, |
GERMAN
WOMEN WRITERS of the 20TH CENTURY |
Pergammon |
£3.95 |
| |
Elizabeth
Rutschi & Edna Huttenmaier Eds), |
The
twentieth century has witnessed the emergence of an outstanding group
of women writers who deserve to be better known in the English speaking
world.
This
volume introduces the English speaking reader to authors whose works have
not previously been available in translation or which are out of print
and difficult to locate.
The
shprt stories included in this anthology provide an insight into the literary
achievments of these women and gove some impression of the great variety
and scope of their work which describes amongst other subjects, persecution
by the Nazis, political guilt after the war and the position and experience
of women in German society.
Each
of the stories is prefaced by a biographical sketch and notes on the works
of the author and the book includes an exclusive introduction to the general
history and development of literature by women writing in German. A selected
bibliography gives the reader guidelines for further study in the field. |
Fair
/ Good
1978
Large
£1.50
P&P (UK)
ISBN:
0-08-021828-8 |
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HOFFMAN |
RESEARCH
for WRITERS |
Black |
£3.75 |
| |
Ann, |
Now
established as an essential Reference work, this book offers a wealth
of sound advice and solid information for all writers and journalists.
The third edition has been fully updated, revised and considerably expanded.
Contents include trhe following:
organisation
and methods of research; sources of information and their location; factual
and historical research; research for fiction writers and dramatists;
biography; family and local history; geneaology, picture reasearch and
translation; information from foreign sources; and the preparation of
a typescript for the press.
Ann
Hoffman established a research service for authors in 1966, and she now
comebines researching for others with writing her own books. |
Fair
/ Good
1987
ISBN:
0-7136-2811-1 |
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KENYON. |
WOMEN
WRITERS TALK. |
Lennard |
£7.50 |
| |
Olga, |
Interviews
with 10 women writers.
At
a time when fiction written by women is at its most exciting, more and
more readers are enjoying the achievment of writers as disparate as Iris
Murdoch; Fay Weldon; Michele Roberts and P D James. Women writers
are now able to explore themes of realism and fantasy, tragedy and irony,
In a way that reaches more readers then ever.
Olga
Kenyon's collection of interviews with ten leading women writers takes
us closer than ever before to the mind of the creative artist. Based on
over eight hours of conversation her interview established a particular
rapport with the writers she chose to meet, and by allowing her subjects
great freedom in the choice of material that they discussed, Olga Kenyon
shrea with us both their aiims and aspirations for their own work and
their views on fiction in a wider context.
Olga
Kenyon has deliberately avoided imposing a particular creed upon her subjects.
Her intention from the first was to give her subjects that freedom to
reveal themselves most fully. As a result, every devotee of modern fiction
will find an insight into the working of the creative mind.
Anita
Brookner, Margaret Drabble, Alice Thomas Ellis, Eva Figes, Nadine Gordimer,
P D James, Iris Murdoch, Michele Roberts, Emma Tennant and Fay
Weldon. |
Fair
/ Good
1989
Hardback
ISBN:
1-85291-043-7 |
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KERRIGAN. |
AN
ANTHOLOGY OF SCOTTISH WOMEN POETS. |
Edinburgh |
£5.95 |
| |
Catherine
Ed), |
Over
a hundred poets are brought together in this unique anthology,
demonstrating the scope and depth of a previoulsy undocumented poetic
tradition among Scottish women writers.
The
collection contains a wide range of work, from the Middle Ages to the
present day, in Gaelic, Scots and English, as forgotten or undiscovered
poets take their place beside the well-established.
Catherine
Kerrigan's introduction provides the background and context to the different
traditions in Scotland including the oral/ballad, Gaelic bardic and modern
traditions, and attempts to identify recurring themes in this 'women's
tradition'. There are parallel translations by Meg Bateman of the Gaelic
poems. Brief biographies and bibliographies of the poets are given.
Challenging
current notions of Scottish literary history this book gives a firm foundation
for future research as well as being of tremendous interest to the general
reader.
(Women's
Studies - Art & Literature / Short Stories - Various). |
V
Good / Mint
1993
366
pages
Large
£1.75 P&P (UK)
ISBN:
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LAMBTON. |
STEALING
THE SHOW |
McGill-Queens |
£4.95 |
| |
Gunda, |
Seven
women Artists in Canadian Public Art.
Stealing
the Show pays tribute to a new "Group pf Seven" in the art world.
Focusing on art commisioned for display in public places, Lambton highlights
the artistic achievments of seven prominent Canadian women artists: Marcelle
Ferron, Anne Kahane, Rita Letendre, Gathie Falk, Joyce Wieland, Jerry
Grey, and Colette Whiten.
Traditionally,
few women artists in Canada have been commissioned to create public works
iin art; the exceptions were the seven artists above, who received most
of the commissions awarded to women between 1958 and 1988.
The
sizeable body of works they have created has received little attention,
but Lambton remedies this. Taking into account that the purpose of public
art is to enhance the environment and communicate with a public often
perplexed and sometimes alienated by works of art, she assesses the appeal
and quality of commissioned works by these artists. |
Fair
/ Good
1994
RRP
£14.95
ISBN:
0-7735-1189-X |
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LYNN. |
SOPHIE
VON LA ROCHE: The History of Lady Sophia Sternheim. |
Pickering |
£6.00 |
| |
James,
Ed & Introduction),
Translated
by Joseph Collyer. |
Lady
Sophia Sternheim was the first novel by a German woman writer to appear
in print.
A
psychologically intense drama of the struggle of a young country woman
to live virtuously in the face of malevolent intrigues of family, friends
and lovers, it became an icon for young writers of the 'storm and stress'
generation of the late eighteenth century.
Goethe
admired it and wrote The Sorrows of Young Werther under it's influence.
With its message of the triumph of truth and virtue over self-love, this
novel stands as one of the great works of the Age of Sentiment. |
Mint
/ New
1991
Hardback
ISBN:
1-85196-021-X |
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MAHL
& KOON, |
THE
FEMALE SPECTATOR |
Feminist
Press |
£3.95 |
| |
Mary
R & Helen Eds), |
English
Women Writers before 1800.
Were
there any female writers before 1800? Most anthologists hevn't thought
so, but the editors of this volume have mined a rich lode of material
written by women between 1350 and 1800 - diaries, devotional treaties,
travel sketches, speeches, poems, stories, and letters - much of it never
before published.
Among
the better-known included here are Catherine Parr, Elizabeth
1, and Aphra Behn, but it is perhaps the more oscure writers
- such as essayist Bathsua Makin, playwright Susannah Centlivre,
and poet Mary Sidney Herbert - who are most striking as eloquent
literary talents. |
Fair
/ Good
1977
Heavy
£2 P&P (UK)
ISBN:
0-253-32166-2 |
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MARKEY. |
A
JOURNEY INTO THE RED EYE |
Women's
Press |
£ |
| |
Janice, |
The
Poetry of Sylvia Plath - A Critique.
OUT
OF STOCK - SORRY! |
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MARKEY. |
A
JOURNEY INTO THE RED EYE |
Women's
Press |
£3.95 |
| |
Janice, |
The
Poetry of Sylvia Plath - A Critique.
Thoroughly
researched and very accessible study into this important poet's life proves,
perhaps for the very first time, that Plath was not the narcissistic and
obsessive victim that she is too often portrayed as being.
A
gifted and successful poet, Sylvia Plath is less known for being a staunch
and tireless champion of the vulnerable and underprivileged, who found
herself subsequently derided and expolited for these efforts - by the
very worst excesses of what was to become an increasingly destructive
patriarchal culture.
Going
far beyond all the conventional limitations of biographical criticism
scholar Janice Markey presents the 'other woman' behind the sensational
characterisation that hounded this sensitive woman; that of Sylvia Plath,
a true feminist visionary in her work, in her personal life and in her
hopes for society. |
Mint
/ New
1993
ISBN:
0-7043-4316-9 |
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MILLER. |
WOMEN
WRITING ABOUT MEN |
Virago |
£3.75 |
| |
Jane, |
Study
with new perspectives on woman and men and on writing.
This
fascinating book is about novels by women and about the men in them. it
is also about women reading, and the sense we make of other women's accounts
of the world.
Its
focus is the novel as a form which women writers, from the early nineteenth
century to the present day, have used to question and challenge men's
appropriation of women's experience, and to explore their own perspectives
on men as husbands, fathers, brothers, sons and lovers.
Drawing
on the works of writers from Jane Austen, the Brontes and George
Eliot, to Dorothy Lessing, Christina Stead, Angela Carter, Alice
Walker and many more, Jane Miller's exciting and original study offers
important new perspectives on women and men and on writing. |
Good
/ V Good
1994
RRP
£9.99
ISBN:
0-86068-478-4 |
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MILLER
& SWIFT. |
THE
HANDBOOK OF NON-SEXIST WRITING. |
Women's
Press |
£3.50 |
| |
Casey
& Kate, |
For
Writer's, Editor's and Speakers.
Easy
to use companion and handbook for any journalist, writer, editor, teacher,
speaker and lover of the English language. The use of 'man' as a false
generic, in cliches and other common expressions.
-
the
use of 'man' as a sufifix, prefix or verb.
-
the
pronoun problem and finding your way around 'he', 'she', 'they', and
'it'.
-
sexist
generalisations and sex-linked descriptions, from 'housewife' to 'womanly'.
-
outdated
names, titles and catagories.
Third
edition fully revised and updated. |
Mint
/ As New
1995
ISBN:
0-7043-4442-4 |
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MILLS. |
WOMANWORDS |
Virago |
£3.50 |
| |
Jane, |
A
Vocabulary of Culture and Patriarchal Society. A completely new kind of
dictionary.
What
do beaver, cheesecake, nag, honey, moll, skirt, mutton and fish havein
common? How did 'cherry', once a term of endearment for a woman, become
a euphemism for the hymen and a female virgin? Did you know that 'hussy'
is an abbreviation of housewife?
In
'Womanwords', some 300 woman-related key words have been seleected,
their origins traced to revealed how, over time, meanings have been altered,
redifined, influenced and confused. Using the most ingenious verbal detective
work, the whole gives a remarkable picture of how women have been defined
through the ages.
With
its extensive cross-referencing and comprehensive bibliography, this elegant,
scholarly book opens up a whole new world for anyone interested in language
and the relations between women and men. |
Good
/ V Good
1991
ISBN:
1-85381-274-9 |
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MOERS. |
LITERARY
WOMEN |
Women's
Press |
£3.50 |
| |
Ellen, |
Study
of the tradition of Female writing.
The
major achievment of Literary Women, delight and stimulation apart, is
to show how poets, novelists and belle-lettrists have established a literary
female tradition; that traditionally female experiences such as childbirth,
the burning desire for economic independence, the living of intimate slavery,
are transformed into works as brilliant and diverse as 'Frankenstein',
'Pride and Prejudice' and 'The Waves'.
Ellen
Moers triumph is to prove that great art is not necessarily founded in
a transcendence of sexualtiy, but can be rooted in the conflicts which
lived female experience has provided throughout history. |
Fair
/ Good
1976
ISBN:
0-7043-3825-4 |
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MORGAN. |
THE
YEARS BETWEEN |
Virago |
£4.50 |
| |
Fidelis, |
Plays
by Women on the London Stage 1900 - 1950.
Following
'The Female Wits', her second successful collection of six Restoration
plays, Fidelis Morgan now presents the work of West End women playwrights
from the early part of the century.
Here
is the suffragette Cicely Hamilton's spirited Diana of Dobson's
(1908), and Clemence Dane's daringly theatrical Will Shakespeare
- an invention (1921). Margaret Kennedy's adaption of her own novel,
The Constant Nymph (1926) which speaks colourfully for the flapper generation,
is followed by Daphne du Maurier's post-war drama The Years Between
(1945). The final play Black Chiffon (1949) by Lesley Storm is
an intriguing psychological domestic drama.
These
five plays are complemented by revue sketches by Hermione Gingold,
Nina Warner Hooke and DIana Morgan from various shows performed
between 1939-45. With introductions and biographies by actress and author
Fidelis Morgan and preface by Susannah York, The Years Between is a treasure
trove for actress and readers alike. |
Good
/ V Good
1994
ISBN:
1-85381-620-5 |
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NASTA. |
MOTHERLANDS. |
Women's
Press |
£4.75 |
| |
Susheila
Ed), |
Black
Women's Writing from Africa, the Caribbean and South Asia.
'Motherlands'
is the first critical anthology to link black women's writing from Africa,
the Caribbean and South Asia. The eighteen contributors re-examine the
mythology of 'motherland' already well explored in feminist literary debate,
applying these ideas for the first time to a burgeoning post-colonial
literature.
The
writers covered include Ama Ata Aidoo, Ranjana
Ash, Elleke Boehmer, Jane Bryce-Okunlola,
Abena Busia, Shirley Chew, Carolyn
Cooper, Anita Desai, Margaret M Dunn,
Elaine Savory Fido, Lorna Goodison,
Bessie Head, Lyn Innes, Helen
Kanitkar, Valerie Kibera, Ann R Morris,
Jane Newman, Laura Niesen de Abruna,
Flora Nwapa, Velma Pollard, Jean Rhys,
Joan Riley, Caroline Rooney,
Olive Senior, Nayantara Sahgal, Nawal
el Sa'adawi and Isabel Carrera Suarez. Each is considered
both within her own 'mother-culture' and alongside her iterary sisters
worldwide.
Black
women's writing has won its own readership over recent decades - with
little helpfrom university courses or literary journals. 'Motherlans'
confirms these writers' relationship with a maturing tradition and gives
them the critical recognition they have long deserved. |
Fair
1991
ISBN:
0704342693 |
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NUNN. |
CANVASSING |
Camden |
£3.95 |
| |
Pamela
Gerrish Ed), |
Recollections
by 6 Victorian Women Artists.
In
this fascinating book, six women artists of the nineteenth century speak
in their own voices about the problems and pleasures of painting in the
years between 1850 and 1900.
Selected
and edited by Pamela Gerrish Nunn, this anthology of women artists' recollections
provides a picture of the Victorian art world from the women's point of
view, a point of view too often overlooked in conventional histories of
art.
In
her knowledgeable introduction, the editor shows how these artsits' attempts
to negotiate the nineteenth century art world have many parallels with
the situation today. the differing ways in which they write about their
art, their experiences, their men and their marriages offer startling
insights into women and art question of the second half of the nineteenth
century. In writing their life stories, these women were 'canvassing'
for recognition of their position as artists.
The
voices of the artists heard in this book fill in one of history's blanks
and offer a corrective to the view of art as a mainly masculine affair.
Pamela
Gerrish Nunn, a lecturer in art hostry,is active in the women's movement
and has contributed articles to feminist Art News and Women's Art Journal. |
Fair
/ Good
1986
ISBN:
0-948491-01-9 |
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OWEN. |
PUBLISHING
: THE FUTURE |
Peter
Owen |
£3.25 |
| |
Peter
Ed), |
By
Leading Publishers.
Book
publishing today is the subject of much discussion and controversy.
This
book, with contributions by a number of leading publishers, helps to clarify
the situation and covers a wide range of topics, including: the role of
the independent publisher and the development of the conglomerates; the
state of hardback and paperback publishing; illustrated books; children's
books; academic publishing; new technology; feminist publishing; the role
of editors; rights sales and the importance of books in cultural interchange;
and the relationship between booksellers and publishers.
Also
discussed is the future of books as a medium and of writers, both new
and established, with special reference to under-funded libraries, smaller
sales and rising costs.
Essential
reading for all those who work in the book trade, including librarians,
and those who plan to make a career in publishing. |
Fair
/ Good
1988
ISBN:
0-7206-0721-3 |
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OSTRIKER. |
STEALING
THE LANGUAGE. |
Women's
Press |
£4.50 |
| |
Alicia
Suskin, |
The
emergence of Women's Poetry iin America.
In
this exciting and important new book, the American poet and scholar Alicia
Suskin Ostriker argues that throughout most of our history the woman writer
has had to state her self-definitions in code: to disguise passion as
piety, rebellion as obedience. Women poets have been excluded from the
'mainstream' even more than the novelists.
Yet
today, the author detects in the work of poets as diverse as Muriel Rukeyser,
Sylvia Plath, Anne Sexton, Audre Lorde, June Jordan, May Sarton and Adrienne
Rich a female-rooted movement that is challenging, and changing, the history
of American poetry. And thus all poetry written in the English language.
Art
& Literature - Literary criticism / Poetry / Women's Studies |
Fair
/ Good
1987
300+
pages
Heavy
£2
P&P (UK) |
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PEARLMAN. |
A
PLACE CALLED HOME. |
St.
Martins |
£4.50 |
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Mickey
Ed), |
Twenty
Writing Women Remember.
The
word 'home' means something different to each of us. Mickey Pearlman has
gathered together a group of writing women whose memories of 'home' present
a panorama of experience: Sandra Benitez, Maxine Hong Kingston, Mary Morris,
Kathryn Harrison, Francine Prose, Arlene Hirschfelder, Erica Jong, Jill
McCorkle, Melinda Worth Popham, Julie Smith, Lucille Clifton, Dani Shapiro,
Marcie Hershman, Meg Pel, Carole Maso, Rosellen Brown, Jane Shapiro, Sylvia
Watanabe, and Lios Lowry.
These
writers look back to a place that sometimes appears as solid and unyielding
as a place of granite, but is actually as vital and elusive as a heartbeat.
They remember firstborn children, destructive fires, homelessness, cherished
workplaces, the sting of racism, and the safety of language while they
dream again of the smell of rising bread, the sound of a daughter's voice,
and the scent of wet morning grass.
A
collection of original writing that you will sherish, give to others,
and come to regard not only as a book, but as a letter from a friend. |
Good
/ V Good
1996
Hardback
ISBN:
0-312-12793-6 |
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REILLY. |
SCARS
UPON MY HEART. |
Virago |
£1.75 |
| |
Catherine
Ed), |
Women's
Poetry and Verse of the First World War.
This,
the first anthology of women war poets for over 60
years, will come as a surprise to many. It shows, for example, that women
were writing protest poetry before Wilfred Owen and Siegfried
Sasson, and that the view of 'the women at home', ignorant and idealistic,
was quite false.
Many
of these poems come out of direct experiences of nursing the victims of
trench warfare, or the pain of lovers, brothers, sons lost.
Some
of the poets are well known: Nancy Cunard, Rose Macauley, Charlotte
Mew, Alice Meynell, Edith Nesbit, Edith Sitwell, Marie Stopes, Katherine
Tynan; others will be less familiar. But here, as elsewhere, 'the
poetry is in the pity' - a moving record of women's experience of war. |
Fair
/ Good 1989
Ex-Library
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RICH. |
WHAT
IS FOUND THERE. |
Virago |
£5.95 |
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Adrienne, |
Notebooks
on Poetry and Politics.
In
this beautiful and fierce book, Adrienne Rich shows us how clearly the
world of poetry illuminates politics, race, gender and transactions of
daily life.
A
garland of meditations upon poets and their visions, on meaning, form
and language, on autobiography and dreams, this collection is compassionate
and rigorous, visionary and intellectual and, above all, compulsively
readable.
Rich
enables eachh of us to eschew cynicism and fear and encounter the modern
world with affirmation. |
Mint
/ As New
1995
RRP
£10.99 |
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RUOTOLO. |
THE
INTERRUPTED MOMENT |
Stanford |
£4.50 |
| |
Lucia
P, |
A
View of Virginia Woolf's Novels.
This
important pioneering study of eight of Woolf's novels derives from a sense
of her 'rhythm of broken sequence'; her characters who are open to interruption
are also open to the 'aesthetic of disjunction situated at the heart of
human inrplay', while those not so open succumb to 'self-supporting insularity'.
Sensitively
tying in biography with analysis, Ruotolo sheds considerable light on
the novels (The Voyage Out, Night & Day, Jacob's Room, Mrs Dalloway,
To the Lighthouse, The Waves, The Years, and Between the Acts)...
Ruotolo reads Woolf closely, carefully, and astutely, and his analysis
necessarily affects all subsequent work on Woolf; he writes clearly and
persuasively, and he offers substantial support for his conclusions from
Woolf's diaries and letters - P. Schlueter, Choice |
Good
/ V Good
1986
£2
P&P (UK)
ISBN:
0-8047-1523-8 |
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RUSS. |
HOW
TO SUPRESS WOMEN'S WRITING |
Women's
Press |
£3.50 |
| |
Joanna, |
Examination
and celebration of women's writing.
Joanna
Russ reveals how women's literary tradition has been systematically belittled
in the past and how the prejudices that drove George Eliot and the Brontes
to disguise themselves behind male pseudonyms are still alive and well
today.
This
is a provocative survey of the forces at work against women writers, a
scathing indictment of critics like Anthony Burgess who declared 'I can
gain no pleasure from serious writing... that lacks a strong male thrust'.
But
how to suppress women's writing is also a celebration of women's impressive
literary heritage. Restoring women's writing to its true context within
an independent tradition. Joanna Russ analyses how (and why) women's writing
is now breaking exciting new ground in content and style. |
Fair
/ Good
1994
ISBN:
0-7043-3932-3 |
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RUSSELL. |
THE
DORA RUSSELL READER |
Pandora |
£3.25 |
| |
Dora, |
57
years of writing and journalism 1925- 1982.
Dora
Russell is one of the most remarkable women of this century. her extraordinary
life and work can now be appreciated in this, the first collection of
her writins and journalism.
A
pioneer in the campaign for birth control in the 1920s and 1930s, her
first book (reprinted here in full) was Hypatia, an argument for
sexual freedom for women. In the 1920s she travelled to post-revolutionary
Russia, and then, with her husband Betrand Russell, to China. With Russell,
she started a progressive school which she continued to run after Russell
and she parted. In Defence of Children (1932), also included here,
outlines her ideas on education.
Dora
Russell has campaigned tirelessly for peace since the first world war.
In the 1950s she took the women's Caravan of Peace to Eastern Europe.
In the 1980s she is active as ever, as her passionate 1982 article on
'The challenge to humanism' in the nuclear age demonstrates.
This
book introduces a new generation to the powerful mix of intellect and
compassion in the work of this courageous woman. |
Fair
/ Good
1983
ISBN:
0-86358-020-3 |
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SCAFE. |
TEACHING
BLACK LITERATURE |
Virago |
£3.25 |
| |
Suzanne, |
In
examining the role of literature in a multicultural
curriculum Suzanne Scafe chellenges the literary tradition in education
and the criteria by which texts enter that tradition.
She
argues for the urgent need to review the early initiates within the education
system which promoted the change from a mono-cultural approach in teaching
to a multicultural approach, and discusses how these strategies for change
are flawed: for example, it is not enough to introduce a few Black textx
in what is little more than a tokenistic gesture. This becomes for Black
students an experience of being patronised by the school, the curriculum
and the teachers.
Suzanne
Scafe stresses how crucial the task is for edcationalists to ensure that
Black writing is valued critically: that it is read, both as a cultural
and artistic whole and as a reflection of the political and cultural struggles
which give it its context.
The
Education Series - written by teachers and researchers. |
Good
/ V Good
1989
ISBN:
1-85381-071-1 |
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SCHIPPER. |
UNHEARD
WORDS. |
Allison
& Busby |
£3.95 |
| |
Mineke
Ed), |
Women
and Literature in Africa, the Arab World, the Ccaribbean and Latin AMerica.
Throughout
the world womena re writing creatively about their experience, though
in many cases for many reasons their literature remains a vast untapped
source of unheard words. This book provides a provocative and stimulating
introduction to that increasingly vociferous achievment.
The
book is divided geographicallyinto five main regions: Africa, the Arab
World, Asia, the Caribbean and Latin America. Each contributorlooks at
the literary traditions, the cultural and social background of the women
writers, and the many problems they face, especially in cultures where
literature in general and criticism in particular are dominated by men.
Each
secsection is prefaced by a revealing selection of proverbs and includes
a major interview with one writer. The writers interviewed are Miriam
Tlali (South Africa), Etel Adnan (Lebanon), Nabaneeta Deb-Sen (India),
Astrid Roemer (Surunam) and Christina Peri Rossi (Uruguay). |
Fair
/ Good
1985
ISBN:
0-85031-639-1 |
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SELLERS. |
DELIGHTING
THE HEART. |
Women's
Press |
£3.75 |
| |
Susan, |
A
Notebook by Women Writers.
Seventeen
of the world's most famous women - poets, novelists, playwrights - reveal
their approach to the fine and difficult art of writing. Talking with
candour and warmth about how they began to write, how they approach a
new piece of work and how they develop it.
From
first idea to publication of a finished piece, they offer examples form
their own work that afford an invaluable insight into the difficultie
and the joys of writing.
A
fascinating and inspiring book, valuable to scholars and critics, to other
writers, and researchers interested in the craft - and the struggle -
behind the finished work. |
Fair
/ Good
1989
ISBN:
0-7043-4167-0 |
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SELLERS. |
DELIGHTING
THE HEART. |
Women's
Press |
£4.95 |
| |
Susan, |
A
Notebook by Women Writers.
Some
of the world's most famous women writers reveal their approach to the
fine and difficult art of writing. Talking with candour and warmth about
how they began to write, how they approach a new piece of work and how
they develop it.
From
first idea to publication of a finished piece, they offer examples form
their own work that afford an invaluable insight into the difficultie
and the joys of writing.
A
fascinating and inspiring book, valuable to scholars and critics, to other
writers, and researchers interested in the craft - and the struggle -
behind the finished work. |
Mint
/ As New
1994
ISBN:
0-7043-4167-0
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SHOWALTER. |
A
LITERATURE OF THEIR OWN. |
Virago |
£4.50 |
| |
Elaine
Ed), |
From
Charlotte Bronte to Doris Lessing.
In
this brilliant study of British women novelists, Elaine Showalter traces
the development of their fiction from 1800s onwards.
This
original, refreshing and sometimes controversial book not only includes
assessments of famous writers such as the Brontes, George Eliot, Virginia
Woolf, Margaret Drabble and Doris Lessing, but also presents critical
appraisals of Mary Braddon, Rhoda Broughton and Sarah Grand - to name
but a few of those prolific and successful Victorian novelists - once
household names, now largely forgotten.
The
result is an invaluable record of generations of women writers and the
way in which their work reflects the social changes of their time. |
Good
/ V Good
1991
ISBN:
0-86068-285-4 |
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SHOWALTER. |
CHRISTINA
ROSSETTI / DINAH MULOCK CRAIK |
Pickering |
£6.00 |
| |
Elaine
Ed), |
-
Christina
Rossetti - Maude.
-
Dinah
Mulock Craik - On sisterhood and a woman's thoughts about women.
Writing
from very different perspectives and backgrounds, Christina Rossetti and
Dinah Mulock Craik were profoundly concerned with the problems of single
women and female vocation.
These
popular texts, brought together for the first time in this edition, make
an enlightening contribution to our growing understanding of Victorian
Feminist thought. |
Mint
/ New 1993 |
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SHOWALTER. |
SISTER'S
CHOICE |
Oxford |
£3.50 |
| |
Elaine, |
Tradition
and change in American women's writing.
The
name of this book, Sister's Choice, is taken from a quilt pattern mentioned
in Alice Walker's The Color Purple. In Walker's book, the pieced quilt
becomes an emblem of a universalist, interracial, and intertextual tradition,
as American women's literature itself has become.
In
this book, Elaine Showalter examines whether or not common threads connect
American women writers from different eras and backgrounds in a coherent
tradition. How have the relationships between women's rights, women's
rites, and women's writings been portrayed in American women's literature? |
Fair
/ Good
1994
ISBN:
0-19-282417-1 |
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SMITH. |
THE
FICTION WRITERS HANDBOOK. |
Piatkus |
£4.50 |
| |
Nancy, |
The
Fiction Writer's Handbook is an essential guide and reference book for
everyone who wants to write a novel or short stories. This
comprehensive volume is packed with detailed advice and practical information
on:
-
The
technique and principles used in all fiction writing - including characterisation,
dialogue, theme, conflict, pace and flashback
-
The
novel construction
-
The
short story and how to find a market for it
-
Working
methods, synopses and presentation
-
How
to get your work published.
Nancy
Smith has taught creative writing for over 12 years. She has written short
stories, articles, a novel and a non-fiction writing guide - 'The essential
A-Z of Creative Writing'.
OUT
OF STOCK - AT PRESENT - SORRY!! |
Good
/ V Good
1996
ISBN:
0-7499-1152-2 |
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SPENDER. |
HEROINES. |
Penguin |
£5.95 |
| |
Dale
Ed), |
A
Contemporary Anthology of Australian Women Writers.
Twenty-two
Australian writers reflect on their heroines: from mothers, detectives,
old women, teenagers, sisters, lesbians, rural women and urban; women
who kill and women who resist violence; women who masquerade as men; women
from the past and women from the present&ldots;
Robyn
Archer, Thea Astley, Diane Bell, Joanne Burns, Barbara Hanrahan, Sara
Hardy, Helen Hodgman, Adele Horin, Janette Turner Hospital, Barbara Jeffries,
Eva Johnson, Elizabeth Jolley, Gail Jones, Ruby Langford, Rosaleen Love,
Finola Moorhead, Elizabeth Riddell, Judith Rodriguez, Georgia Savage,
Jocelyn Scutt, Roberta Sykes, Beth Yahp. |
Good
/ V Good
1991
£2.50
P&P (UK)
ISBN:
0-14-014697-0 |
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SPENDER. |
INTRUDERS
ON THE RIGHTS OF MEN. |
Pandora |
£3.75 |
| |
Lynne, |
Women's
unpublished heritage.
"Alas,
a woman that attempts the pen,
Such an intruder on the rights of men". Anne French, Duchess of
Wonchelsea.
Lynne
Spender tells us a story, the story of an unpublished heritage of women's
writing which gives us the evidence that the Duchess of Winchelsea's words
are as true today as they were in her own times.
It
is a different story to that which publishers would like to see told.
Lynnes
Spender reveals the fortunes of past generations of women who have taken
up the pen. SHe talks with today's writers and publishers too, uncovering
the part that publishers yesterday and today have played in selecting
wht shall and shall not be published. |
Fair
/ Good
1983
ISBN:
0-86358-000-9 |
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SPROULE. |
WOMEN
AND THE ARTS |
Wayland |
£3.75 |
| |
Anna, |
Women
in music, ballet, acting, painting and design.
The
women in history series is an original thought-provoking look at women's
involvment in various aspects of history. Each book explores a particular
theme and through documentary evidence and contemporary pictures evaluates
the role women have played. Case studies of both famous and lesser-known
figures are included to supplement the text.
Women
and the Arts examines the changing role and status of womena artists from
the nineteenth century (Starting in the 1700s) to the present day. Looking
at various different fields of art - from music and ballet to acting,
painting and design - the book highlights the difficulties women ahve
faced in becoming accepted and also uncovers women's undoubted contribution
to the arts.
Women in
History Series. Hardback |
Fair
/ Good
1989
ISBN:
1-85210-504-6 |
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STERNBURG. |
THE
WRITER ON HER WORK |
Virago |
£3.95 |
| |
Janet
Ed, |
16
Women Writers share their Experiences.
Despite
her reservations, Margaret Atwood provides us with a captivating exploration
of the question 'why do you write?'. Mary Gordon challenges Theodore Roethke's
assertion that women poets are 'stamping a tiny foot against god', and
Alice Walker tells us why, if we want to write and have a family, we should
have one child only.
In
these 16 extraordinary, thought-provoking essays, some of the most highly
respected writers of our time share their experiences of creativity, and
tell how the challenges and demands of everyday life interact with their
work.
Contributions
by:
Maraget
Atwood, Toni Cade Bambara, Anita Desai, Joan
Didion, Natalia Ginzburg, Mary Gordon, Diane
Johnson, Elizabeth Jolley, Erica Jong,
Maxine Hong Kingston, Ursula K Le Guin, Jan
Morris, Bharati Mukherjee, Alice Walker and
Margaret Walker. |
Good
/ V Good
1992
ISBN:
1-85381-378-8 |
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STERNBURG. |
THE
WRITER ON HER WORK |
Norton |
£3.95 |
| |
Janet
Ed, |
16
Women Writers share their Experiences. As Above.
This
book celebrates diversity. In these new and personal essays, notable women
writers examine their lives and their work.
Novelists,
poets, and writers of nonfiction explore how they have become writers,
why they write; and what it means to be a woman and a writer. |
Fair
/ Good
1981
£1.50
P&P (UK)
ISBN:
0-393-00071-0 |
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SULLEROT. |
WOMEN
ON LOVE. |
Norman |
£6.00 |
| |
Evelyne, |
Eight
Centuries of Feminine Writing.
In
the mythology and literature of our culture love is invariably
seen through male eyes. Women in love covers 8 centuries of texts
written by French women in love, on love, against love, from the
12th century to the 20th century.
Evelyne
Sullerot retraces the evolution of this feminie culture; her analysis
of each period serves as an introduction to the original texts,
and describes changing social attitudes to love and marriage,
as well as examining those elements that remain constant.
Women
in Love presents the writings of 160 different women
authors, some of them famous and some of them previously unknown. It is
a long-awaited tribute to feminine sentiment and culture
through the ages. |
Fair
/ Good
1980
Large
£3 P&P (UK)
ISBN:
0-906908-24-8 |
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TREICHLER
& CARTWRIGHT Eds), |
CAMERA
OBSCURA. |
Indiana
Uni Press |
£4.95 |
| |
|
A
journal of Feminism and Film Theory /29:
Imaging Technologies,
Inscribing Science 2.
See Media
section for more details. |
Good
/ V Good
1992 |
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WALKER. |
DRAWING
ON DIVERSITY. |
RIBA
Heinz Gallery |
£4.50 |
| |
Lynne, |
Women,
architecture and practice.
Catalogue
containing essays, images and contributions by: Cany Ash, Irena Bauman,
Clare Frankl, Robert Sakula, Deborah Saunt and Sarah Wigglesworth.
Originated in talks given at the Design Museum, which were part of the
'Women in Architecture' series in 1997.
'Drawing
on Diversity' shows the work of British women architects, past and present,
in a rich variety of social context and institutional sites. Practice
itself is seen here as diverse, not only the building of buildings but
as a broad range of practices which include teaching, writing, research
and development, as well as organizing architectural events, such as exhibitions,
competitions and study days.
The
exhibition demonstrates the wide scope of women architects' creative and
critical activities, and at the same time, considers the different meanings
of 'women' and 'architect', which have both inhibited and facilitated
women's accesss to architecture and design, over five centuries. |
Good
/ V Good
1997
ISBN:
1-872911-609 |
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WANDOR. |
ON
GENDER AND WRITING. |
Pandora |
£3.25 |
| |
Michelene
Ed), |
How
does the sex of the writer affect her or his craft?
Twenty-two
writers (novelists, playwrights, journalists, critics and poets) look
at their own writing and how their experiences as women or men, their
own families, childhood ambitions and the changes wrought by feminism
have influenced them.
-
Michelene
Wandor - Masks
-
Angela
Carter - Notes from
-
Judith
Kazantzis - The errant Uni
-
Jill
Tweedie - Strnage Places
-
Pam
Gems - Imagination and Gender
-
Margaret
Drabble - A Woman Writer
-
Fay
Weldon - Me and My Shadows
-
Penelope
Shutlle & Peter Redgrove - The Dialogue of Gender and many
more
These
essays, honest, complicated and revealing, replace the mystique of 'The
Writer' with a real look at the craft and the people who work at it. They
present a fascinating adn varied collection of viewpoints on gender and
writing for both the general reader and the cultural specialist - for
anyone who enjoys reading. |
Fair
/ Good
1983
ISBN:
0-86358-021-1 |
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WELLS. |
VIEW
FINDINGS. |
Available
Light |
£5.50 |
| |
Liz
Ed), |
Women
Photographers: 'Landscape' and Environment'.
Available
Light is an occasional series of books on photography. Each anthology
ficuses on a particular theme, type of imagery or range of photographers.
The
intention is to make available work by British photographers which has
not previously been published, or to bring together imagery not previoulsy
juxtaposed, in order to highlight new photography, and to offer a critical
focus on contemporary issues and photographic practices.
This
book includes:
Margins
- Anna Fox, Ingrid Hesling, Miranda Walker, Helen Harris, Annette Robinson
and Liz Wells.
Territories
- Stevie Bezencenet, Ingrid Pollard, Elizabeth Williams, Roshini Kempadoo
and Lynn Silverman.
Image,
Metaphor, Myth - Sian Bonnell, Patricia Townsend, Claire Collison. |
Good
/ V Good
1994
ISBN:
1-899457-00-3 |
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WEST. |
A
TRAIN OF POWER |
Virago |
£3.50 |
| |
Rebecca, |
The
postwar trials and reports by Rebecca West. Journalism
In
1946 Rebecca West was commissioned by the Daily Telegraph to write three
articles on the Nuremberg Trials. She went to Nuremberg that year
to hear the closing of the British and US cases and, later, the judgement
and sentences.
This
is her journalism at its most brilliant and evocative: in the eleventh
month of the trials she describes Nuremberg as a 'citadel of boredom',
tedium pervading not just the courtroom but every street, every house.
Here too is her careful and illuminating study of the process of law itself,
her fascination with human aspects and the collective moral will.
In
1949 she went again, writing this time about the rebuilding of Germany,
and in 1954 she produced a fascinating theoretical and retrospective study
of Nuremberg.
Several
other pieces contribute to the book's exraordinary range, inclusing an
account of Marshall's treasoin, and two penetrating pieces of crime reportage,
'Mr Setty and Mr Hume', on a murder trial of the fifties, and 'Opera in
Greenville', the story of a lynching in the American South.
She
brings her subjects vividly to life with fascinating biographical and
physical details, and, as in all her work, eloquently explores the nature
of good and evil, the forces of life and death. These essays confirm Rebecca
West's reputation as one of the most distinguished political journalists
of our time. |
Fair
1984
ISBN:
0-86068-408-3 |
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WOOLF. |
THE
COMMON READER. |
Hogarth |
£3.75 |
| |
Virginia, |
First
Series. Edited and Introduced by Andrew McNeillie.
Virginia
Woolf's first collection of essays, published
in 1925. In them she was attempting to see literature from the point of
view of the 'common reader': someone whom she, with Dr Johnson, ditinguished
from the critic and the scholar. She read, and wrote, as an outsider,
a woman set to school in her father's library, denied the educational
privileges of her male siblings - and with no fixed view of what constitutes
"English Literature".
What
she produced is in effect an eccentric and unofficial literary
and social history from the fourteenth to the twentieth century,
with an excursion to ancient Greece thrown in. She investigates mediaeval
England, tsarist Russia; Elizabethan
playwrights, Victorian novelists, modern essayists. Obscure
figures like Archbishop Thomson and one Laetitia Pilkington, famous writers
such as Montiagne, Defoe, Jane Austen and Joseph Conrad - all are brought
to life by her scintillating pen.
When
she published this book Virginaia Woolf's fame as a novelist was already
estab;ished; now she was hailed as a brilliant interteative critic. In
her first series of essays, Virginia Woolf addresses her 'common reader'
in the remarkable prose and with all the imagination and gaiety that are
the stamp of her genius.
This
paperback includes an essay previously unpublished in the British edition.
Andrew McNeillie, who assisted Oliver Bell in the editing of 'The
Diary of Virgina Woolf', haas also provided an introductory note,
a record of first publication of each essay, notes on the text and an
index. |
Fair
/ Good
1984
ISBN:
0701219076
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WOOLF.
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WOMEN
AND WRITING. |
Women's
Press |
£3.95 |
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Virginia,
|
Introduced
by Michele Barrett.
In
her lifetime Virginia Woolf was regarded as a major essayist and critic,
with a special interest in contemporary literature and women's writing.
Since
her death her reputation has rested on her novels and the dubious fame
of being the doyenne of 'Bloomsbury'. Women and Writing seeks to correct
this emphasis. Fifty years after the publication of 'A Room of one's Own'
it is time to reconsider Woolf's arguments about women and writing and
her critical assessment of individual authors from the Duchess of Newcastle,
born in 1624, to Dorothy Richardson who died in 1957.
This
selection brings together, for the first time, work previoulsy scattered
throughout Virginia Woolf's numerous published volumes. It also includes
pieces which existed ony in the form of (sometimes unsigned) journal articles.
Michele
Barret's introduction draws out the multiple threads of Woolfs anaylsis
of literature and her work on the female literary tradition, elucidating
not only the writing which follow, but also her indivisible work as a
novelist. |
Fair
/ Good
1979
ISBN:
0704338394 |
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